document.write('\x3cmeta http-equiv=\x22x-dns-prefetch-control\x22 content=\x22off\x22/\x3e\x3col class=\x22tumblr_posts\x22\x3e\x0a \x0a \x0a\x0a \x0a \x3cli class=\x22tumblr_post tumblr_photo_post\x22\x3e\x0a \x3cimg src=\x22http://24.media.tumblr.com/tumblr_lz6tnpMD5k1qz9plio1_400.png\x22 alt=\x22\x26amp;#8220;It\x26rsquo;s a live-streaming 3D point-cloud, carried over a binary WebSocket. It responds to movement in the scene by panning the (virtual) camera, and you can also pan and zoom around with the mouse.\x26amp;#8221;\x0aA depthcam? A webkinect? Introducing a new kind of webcam\x0a\x22 class=\x22tumblr_photo\x22/\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cem\x3e\x3cspan\x3e\x26#8220;It\u2019s a live-streaming 3D point-cloud, carried over a binary WebSocket. It responds to movement in the scene by panning the (virtual) camera, and you can also pan and zoom around with the mouse.\x26#8221;\x3c/span\x3e\x3c/em\x3e\x3c/p\x3e\x0a\x3cp\x3e\x3cspan\x3e\x3ca href=\x22http://blog.mackerron.com/2012/02/03/depthcam-webkinect/\x22 target=\x22_blank\x22\x3eA depthcam? A webkinect? Introducing a new kind of webcam\x3c/a\x3e\x3c/span\x3e\x3c/p\x3e\x0a\x3cp\x3e\x3cem\x3e\x3cspan\x3e\x3cbr/\x3e\x3c/span\x3e\x3c/em\x3e\x3c/p\x3e\x3cp\x3e(Source: \x3ca href=\x22http://berglondon.com/blog/2012/02/10/friday-links-22/\x22 title=\x22berglondon.com\x22\x3eberglondon.com\x3c/a\x3e)\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a \x3cli class=\x22tumblr_post tumblr_photo_post\x22\x3e\x0a \x3cimg src=\x22http://24.media.tumblr.com/tumblr_lz6tg0n4n11qz9plio1_400.jpg\x22 alt=\x22\x26amp;#8220;Samuel Spade\x26rsquo;s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The V motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down\x26mdash;from high flat temples\x26mdash;in a point on his forehead. He looked rather pleasantly like a blond Satan.\x26amp;#8221;\x0aThe Composites -\x26nbsp;Images created using law enforcement composite sketch software and descriptions of literary characters.\x22 class=\x22tumblr_photo\x22/\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cem\x3e\x26#8220;\x3cspan\x3eSamuel Spade\u2019s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The V motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down\u2014from high flat temples\u2014in a point on his forehead. He looked rather pleasantly like a blond Satan.\x26#8221;\x3c/span\x3e\x3c/em\x3e\x3c/p\x3e\x0a\x3cp\x3e\x3cspan\x3e\x3ca href=\x22http://thecomposites.tumblr.com/\x22 target=\x22_blank\x22\x3eThe Composites\x3c/a\x3e -\u00a0Images created using law enforcement composite sketch software and descriptions of literary characters.\x3c/span\x3e\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a\x0a \x0a \x3cli class=\x22tumblr_post tumblr_quote_post\x22\x3e\x0a \x3cdiv class=\x22tumblr_quote\x22\x3e\x0a \x3cspan class=\x22tumblr_open_quote\x22\x3e\x26#147;\x3c/span\x3eIf everyone now has the ability to make their own things, then surely everyone should also be responsible for the things they make. If not, it\u2019s entirely possible that the 3D printing \u201crevolution\u201d will be remembered not only for the products it creates, but also for the landfill it leaves behind.\x3cspan class=\x22tumblr_close_quote\x22\x3e\x26#148;\x3c/span\x3e\x0a \x3c/div\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_source\x22\x3e\x0a \x3ca href=\x22http://www.timburrellsaward.com/\x22 target=\x22_blank\x22\x3eTim Burrell Saward\x3c/a\x3e - \x3ca href=\x22http://journal.timburrellsaward.com/\x22 target=\x22_blank\x22\x3eMaking Things The Hard Way\x3c/a\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a\x0a \x0a \x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x3cli class=\x22tumblr_post tumblr_video_post\x22\x3e\x0a \x3cdiv class=\x22tumblr_video\x22\x3e\x0a \x3ciframe src=\x22http://player.vimeo.com/video/35858119\x22 width=\x22400\x22 height=\x22225\x22 frameborder=\x220\x22\x3e\x3c/iframe\x3e\x0a \x3c/div\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3ca href=\x22http://vimeo.com/35858119\x22 target=\x22_blank\x22\x3eGolan Levin\x26#8217;s Ask Me Anything Video\x3c/a\x3e\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x3cli class=\x22tumblr_post tumblr_video_post\x22\x3e\x0a \x3cdiv class=\x22tumblr_video\x22\x3e\x0a \x3ciframe src=\x22http://player.vimeo.com/video/35243417?title=0\x26amp;byline=0\x26amp;portrait=0\x22 width=\x22400\x22 height=\x22225\x22 frameborder=\x220\x22\x3e\x3c/iframe\x3e\x0a \x3c/div\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3ca href=\x22http://vimeo.com/35243417\x22 target=\x22_blank\x22\x3eTingle\x3c/a\x3e by \x3ca href=\x22http://www.nupky.com/\x22 target=\x22_blank\x22\x3eRhys Duindam\x3c/a\x3e is a new instrument which is used to teach young students about music. The instrument is a converted pin-board toy that is used to demonstrate the forming of music and sound. The 3D landscape, created by whatever is underneath the board, is used to generate the metaphoric musical landscape. It is a 3D version of the sound visualizers normally embedded in music softwares and is a common visual representative for sound. Using this metaphor makes it easier for young students to link their actions to the created sounds.\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x3cli class=\x22tumblr_post tumblr_video_post\x22\x3e\x0a \x3cdiv class=\x22tumblr_video\x22\x3e\x0a \x3ciframe src=\x22http://player.vimeo.com/video/36133244\x22 width=\x22400\x22 height=\x22225\x22 frameborder=\x220\x22\x3e\x3c/iframe\x3e\x0a \x3c/div\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cem\x3e\x26#8220;The \x3ca href=\x22http://robb.cc/post/16970223577/cryoscope\x22 target=\x22_blank\x22\x3eCryoscope\x3c/a\x3e\u00a0by \x3ca href=\x22http://robb.cc/\x22 target=\x22_blank\x22\x3eRobb Godshaw\x3c/a\x3e shows the user exactly what to expect outside by haptically exhibiting exactly how cold or warm it is to be outside. The user simply touches an aluminum cube that has been heated or cooled to the appropriate temperature. The unit fetches weather data from the internet, and translates it to the cube physically, pumping heat in or out of the cube.\x26#8221;\x3c/em\x3e\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x3cli class=\x22tumblr_post tumblr_video_post\x22\x3e\x0a \x3cdiv class=\x22tumblr_video\x22\x3e\x0a \x3ciframe width=\x22400\x22 height=\x22225\x22 src=\x22http://www.youtube.com/embed/9TayMJ1pqzo?wmode=transparent\x26autohide=1\x26egm=0\x26hd=1\x26iv_load_policy=3\x26modestbranding=1\x26rel=0\x26showinfo=0\x26showsearch=0\x22 frameborder=\x220\x22 allowfullscreen\x3e\x3c/iframe\x3e\x0a \x3c/div\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cem\x3e\x3cspan\x3e\x26#8220;Tokyo department store \x3ca href=\x22http://www.takashimaya.co.jp/\x22 target=\x22_blank\x22\x3eTakashimiya\x3c/a\x3e has teamed up with \x3ca href=\x22http://en.wikipedia.org/wiki/Hiroshi_Ishiguro\x22 target=\x22_blank\x22\x3eDr Hiroshi Ishiguro\x3c/a\x3e of Osaka University to install a new visual merchandising concept using a lifelike android mannequin that has shoppers stopping in their tracks.\x26#8221;\x3c/span\x3e\x3c/em\x3e\x3c/p\x3e\x0a\x3cp\x3e\x3cspan\x3e\x3ca href=\x22http://www.japantrends.com/android-mannequin-brings-shop-display-to-life-video/\x22 target=\x22_blank\x22\x3eWould you like to know more?\x3c/a\x3e\x3c/span\x3e\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x3cli class=\x22tumblr_post tumblr_video_post\x22\x3e\x0a \x3cdiv class=\x22tumblr_video\x22\x3e\x0a \x3ciframe width=\x22400\x22 height=\x22225\x22 src=\x22http://www.youtube.com/embed/FvRTHynk9KA?wmode=transparent\x26autohide=1\x26egm=0\x26hd=1\x26iv_load_policy=3\x26modestbranding=1\x26rel=0\x26showinfo=0\x26showsearch=0\x22 frameborder=\x220\x22 allowfullscreen\x3e\x3c/iframe\x3e\x0a \x3c/div\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cspan\x3ePrinting an Endless Chair from recycled refrigerators - by\u00a0\x3ca href=\x22http://www.dirkvanderkooij.nl\x22 target=\x22_blank\x22\x3eDirk vander Kooij\x3c/a\x3e\x3c/span\x3e\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x3cli class=\x22tumblr_post tumblr_video_post\x22\x3e\x0a \x3cdiv class=\x22tumblr_video\x22\x3e\x0a \x3ciframe width=\x22400\x22 height=\x22225\x22 src=\x22http://www.youtube.com/embed/YQIMGV5vtd4?wmode=transparent\x26autohide=1\x26egm=0\x26hd=1\x26iv_load_policy=3\x26modestbranding=1\x26rel=0\x26showinfo=0\x26showsearch=0\x22 frameborder=\x220\x22 allowfullscreen\x3e\x3c/iframe\x3e\x0a \x3c/div\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3ca href=\x22http://www.youtube.com/watch?feature=player_embedded\x26amp;v=YQIMGV5vtd4\x22 target=\x22_blank\x22\x3eA Swarm of Nano Quadrotors\x3c/a\x3e\x3c/p\x3e\x0a\x3cp\x3eExperiments performed with a team of nano quadrotors at the GRASP Lab, University of Pennsylvania.\u00a0\x3c/p\x3e\x3cp\x3e(Source: \x3ca href=\x22http://singularityhub.com/2012/02/05/flying-robotic-swarm-of-nano-quadrotors-gets-millions-of-views-new-company/\x22 title=\x22singularityhub.com\x22\x3esingularityhub.com\x3c/a\x3e)\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x3cli class=\x22tumblr_post tumblr_video_post\x22\x3e\x0a \x3cdiv class=\x22tumblr_video\x22\x3e\x0a \x3ciframe src=\x22http://player.vimeo.com/video/36239715\x22 width=\x22400\x22 height=\x22225\x22 frameborder=\x220\x22\x3e\x3c/iframe\x3e\x0a \x3c/div\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3ca href=\x22http://vimeo.com/36239715\x22 target=\x22_blank\x22\x3eRobot Readable World\x3c/a\x3e by \x3ca href=\x22http://www.elasticspace.com/\x22 target=\x22_blank\x22\x3eTimo Arnall\x3c/a\x3e.\x3c/p\x3e\x0a\x3cp\x3e\x3cem\x3e\x26#8220;How do robots see the world? How do they extract meaning from our streets, cities, media and from us? \u00a0This is an experiment in found machine-vision footage, exploring the aesthetics of the robot eye\x26#8221;\x3c/em\x3e\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a \x0a \x0a\x0a \x0a \x0a\x3c/ol\x3e');