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Ben Bashford - Notebook of Things

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a photo (reblogged from new-aesthetic) posted 2 weeks ago

filed under: fashion, data, sound, printing, knitting,

“This is a scarf I knitted based on a sample of the The Amen Break. I took an image of the waveform of the amen break and converted it into a knitting pattern, which I uploaded onto a hacked knitting machine. The knitting pattern repeats over and over the same way that the amen break sample gets looped in so many musical compositions.”
The Amen Break Scarf

“This is a scarf I knitted based on a sample of the The Amen Break. I took an image of the waveform of the amen break and converted it into a knitting pattern, which I uploaded onto a hacked knitting machine. The knitting pattern repeats over and over the same way that the amen break sample gets looped in so many musical compositions.”

The Amen Break Scarf

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a video posted 2 weeks ago

filed under: permanence, flow, ubicomp, magic, screens, art,

The Object Permanence series by Marco Pinter explores our perception of the existence of objects over time, which is fundamental to how we experience the world and our place in it.  By exploiting the perceptual effect of object permanence through the use of graphics, computers and robotically-controlled sculpture, the viewer perceives objects over time which do not in fact exist.  The “virtual” objects in the works behave as physical objects, thus impacting the gallery’s and viewer’s corporeal space.  The work cycles between states of chaos and order, where the component sculptural systems are alternatively perturbed and at peace.

(Source: wired.co.uk)

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a video posted 2 weeks ago

filed under: robots, computer vision, emotion,

“Inspired by this process of self-recognition in humans, we developed a new ROS node that is executed when the node “Object Recognizer”, previously trained, has identified a Qbo in the image. Using nose signals to see if the image seen by the robot matches its action, a Qbo can tell in real time whether he sees his image reflected in a mirror or he is watching another Qbo robot in front of him. The sequence of flashes of the nose is randomly generated in each process of recognition, so the probability that two robots generate the same sequence is very low, and even lower that they start to transmit it at the same time.”

QBO meets QBO (via Matthew)

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a quote posted 2 weeks ago

filed under: 3d printing, piracy, data, objects, products, p2p, sharing,

We believe that the next step in copying will be made from digital form into physical form. It will be physical objects. Or as we decided to call them: Physibles. Data objects that are able (and feasible) to become physical. We believe that things like three dimensional printers, scanners and such are just the first step. We believe that in the nearby future you will print your spare sparts for your vehicles. You will download your sneakers within 20 years.

— The Pirate Bay - Evolution: New Category

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a video posted 3 weeks ago

filed under: personal, informatics, wrist, watch, health, sport, advertising, wearables,

The Nike+ FuelBand is designed for anyone who wants to be more active. It measures your daily activity and turns it all into NikeFuel. So you can set a goal for every day and then go out and beat it.

www.nike.com/fuelband

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a video posted 3 weeks ago

filed under: music, sensors, weather, domestic,

Demonstration of latest Quintron invention called The Singing House. This is an analog “drone synth” which is completely modulated by the weather.

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a photo posted 3 weeks ago

filed under: 3d printing, design, manufacture,

SEND TO PRINT / PRINT TO SEND is at The Aram Gallery from 13th Jan - 25th Feb 2012
“[The exhibition] offers an impression of the uses of 3D Printing in the design industry today. This timely exhibition shows work by designers and organisations who are developing the capabilities of this technology. In addition it will include examples of the increasingly important role 3D Printing plays in the design process, particularly during the complex prototyping stages. Featuring pieces from the studios of both established and emerging designers, The Aram Gallery uses this exhibition as a way to examine how designers’ processes are developing to accommodate new technological advances.”
(Via Tim)

SEND TO PRINT / PRINT TO SEND is at The Aram Gallery from 13th Jan - 25th Feb 2012

“[The exhibition] offers an impression of the uses of 3D Printing in the design industry today. This timely exhibition shows work by designers and organisations who are developing the capabilities of this technology. In addition it will include examples of the increasingly important role 3D Printing plays in the design process, particularly during the complex prototyping stages. Featuring pieces from the studios of both established and emerging designers, The Aram Gallery uses this exhibition as a way to examine how designers’ processes are developing to accommodate new technological advances.”

(Via Tim)

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a photo posted 3 weeks ago

filed under: maps, geology, cartography, space,

Geologic Map of the North Side of the Moon by Desiree E. Stuart-Alexander (1978)

Geologic Map of the North Side of the Moon by Desiree E. Stuart-Alexander (1978)

16111028631

a quote posted 3 weeks ago

filed under: gestural, voice, ui, overlap,

Pretty much every TV at CES had the same functionality: Wi-Fi. Gesture control. Voice control. Given your console, your TV, your cable box, your light switches, your hi-fi, your phone, your tablet will have these performative technologies, we’ve got to find ways to add direction to our waving hands and faltering voices.

— Chris Heathcote - Sand in the Vaseline

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a video posted 3 weeks ago

filed under: computer vision, infographics, kinect, printing, art, installation, reactive,

“Tape Recorders” (2011) by Rafael Lozano-Hemmer

“Rows of motorised measuring tapes record the amount of time that visitors stay in the installation. As a computerised tracking system detects the presence of a person, the closest measuring tape starts to project upwards. When the tape reaches around 3m high it crashes and recoils back.  Each hour, the system prints the total number of minutes spent by the sum of all visitors.”

Commissioned by the Museum of Contemporary Art, Sydney.

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