giCentre Utilities is a collection of utilities to assist creating data visualization sketches with Processing. 
Packages in the library include colour utilities, statistical graphics, morphing classes, spatial utilities and map projections, text input/output classes and multi-sketch tools. All are fully documented with example sketches to illustrate how to use them in your own Processing code.

giCentre Utilities is a collection of utilities to assist creating data visualization sketches with Processing

Packages in the library include colour utilities, statistical graphics, morphing classes, spatial utilities and map projections, text input/output classes and multi-sketch tools. All are fully documented with example sketches to illustrate how to use them in your own Processing code.

Sound can also compress several types of information into a simultaneous experience, so why is there not a similar boom in the use of sound to represent data and tease some meaning out of it? There are several variables that combine to make music; why not translate data into sound, using modality, key, tempo, timbre, pitch and so on to reveal hidden patterns? Is this just a question of greater general visual literacy, when most people can figure out how an animated graph works, but may struggle to identify the instrumentation in a piece of music, or read a score?
“It’s an era in which information blurs the boundaries, enabling multi-channel, cross-platform, trans-media, physico-digital user experiences. To succeed, we’ll need teams that are multi-disciplinary and individuals who can help us think visually. If we work together, the practice of ubiquitous service design will afford an intertwingularity that’s useful, usable, and desirable. The destination beckons, but the journey looks even more fun, for in the uncharted waters of futurity, it’s the map that makes the territory. Isn’t it time we set sail?”
- Peter Morville - Ubiquitous Service Design (2010)

It’s an era in which information blurs the boundaries, enabling multi-channel, cross-platform, trans-media, physico-digital user experiences. To succeed, we’ll need teams that are multi-disciplinary and individuals who can help us think visually. If we work together, the practice of ubiquitous service design will afford an intertwingularity that’s useful, usable, and desirable. The destination beckons, but the journey looks even more fun, for in the uncharted waters of futurity, it’s the map that makes the territory. Isn’t it time we set sail?”

- Peter Morville - Ubiquitous Service Design (2010)

In 1989, Ayrton Senna completed a lap of the Japanese F1 circuit in Suzuka, setting a new world record. On board was Honda’s engine telemetry system which recorded information from the car. Now, almost 20 years after his death in Imola, Honda is using that same data, along with some giant speakers and lights to recreate that incredible lap.

(via Adverblog)

“[John] Rainey uses people’s Facebook profiles along with royal portraits to create sculptures, similar to the classic sculptural form of the bust, but distorted through software to create a representation of ourselves that’s caught between the digital and the physical. The result is strange hybrid forms that represent an “exploration of images, reproduction and how identity is transferred across different media”.
3D Printed Abstract Sculptures Explore Identity In The Virtual Age

[John] Rainey uses people’s Facebook profiles along with royal portraits to create sculptures, similar to the classic sculptural form of the bust, but distorted through software to create a representation of ourselves that’s caught between the digital and the physical. The result is strange hybrid forms that represent an “exploration of images, reproduction and how identity is transferred across different media”.

3D Printed Abstract Sculptures Explore Identity In The Virtual Age

The IDF’s strategy of ‘walking through walls’ involves a conception of the city as not just the site but also the very medium of warfare – a flexible, almost liquid medium that is forever contingent and in flux.