Computed Copy by Nukem, So Kanno and yang02 of

"Although there is a traditional way of designing flat patterns which considers the movement of the body and characteristics of the material, computers design it in a totally different way, because they recognize the 3D shape as a polygon which is a collective form of flat faces.

Our purpose for this “Computed Copy” is not only to make some distortion which humans cannot produce, but also to make garments which are not just “copy” and have the alternative creativity. By removing humans’ arbitrariness as much as possible from the process of copying designs, and by letting computers do it, we can create a new kind of designing system.

In the future, we think that it will be possible to copy a garment only with the image files on the internet without scanning actual things, thanks to the rapid development of 3D technology (scanning, modeling, and printing) and a flood of images on the internet. We expect that this work will be the fastest automated way of copying the designs as the final destination of fast fashion.”

Exhibited at Materializing II

Thanks Toby

For a long time in Japan there have been master craftsmen called ‘MIYA-DAIKU’. They are professional carpenters who specialize in shrine and temple architecture. They are highly skilled and known for making full use of each piece of wood. For example, if they see a gnarled or imperfect piece of wood, they are able to see its potential instead of seeing it as a defect and throwing it away. Shape determines how an item will be used. I believe this is what design can do. “Placing things where they should be” on the assumption that necessity would dictate its use. Try to maximize the potential of things within the limits of the design. That is our philosophy.
The mark of true luxury is not in the grand gesture, but the simple things done well
In fashion terms, normcore is all about anonymous, detail-free design. It’s a barely audible style that suggests ingrained authority and inner confidence. A series of recent studies by Harvard Business School support this: shop assistants and passers-by were found to perceive customers wearing tracksuits as more confident and likely to splurge in luxury stores than those in fine furs. The point being that anything that isn’t inherently comfortable feels try-hard. Gone are the shouty, flashy markers of traditional luxury.

Since its foundation SHOWstudio has pioneered 3D scanning and motion capturing. For Lane Crawford's S/S 2013 campaign Nick Knight pushed these technologies to their current limit by creating a fashion film and images without using any photography.

Mike Friton is a freelance shoemaker, weaver, paper sculptor and innovator with over 30 years of experience at Nike. His innovations are responsible for many elements of athletic footwear that people wear today. Each of his crafts informs one another and he is constantly exploring the fringes of his field. Mike’s work is a great example of how non-traditional methods of exploring one’s craft can lead to unique end results. (via Ed)