1 of 3 posts filed under glitch
Good Vibrations Storage Unit by Ferruccio Laviani.
1 of 3 posts filed under glitch
Money & Speed: Inside the Black Boxis adocumentary about the flash crash of 2010 by Marije Meerman.
1 of 3 posts filed under glitch
Hiroki Nakamura (Visvim) - Building from the Inside Out
(Source: hypebeast.com)
1 of 3 posts filed under glitch
Algorithmic Architecture by Charlie Behrens is intended to encourage a creative audience to seek out Kevin Slavin’s LIFT talk, Those Algorithms That Govern Our Lives. It employs an effect which takes place in Google Earth when its 3D street photography and 2D satellite imagery don’t register correctly.
(via Timo)
1 of 3 posts filed under glitch
“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”
— Brian Eno - A Year With Swollen Appendices (1996).
(Source: imathers)
1 of 3 posts filed under glitch
Wabi-sabi (佗寂) represents a comprehensive Japanese world view or aesthetic centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete”.